Faits Main, 17 students, 5 days, introduction to graphic design, workshop at isdat, 2021. Somewhere between visual identity, calligraphy and bread making, this workshop offered participating students the opportunity to open an ephemeral bakery at the end of this week of work.
Les lettres enveloppées, variable format, personal project of drawn letters constrained by the format of an envelope, black marker and black pen, 2018 – 2021.
La cuisine, logotype (not retained) for the call for projects to redesign the visual identity of the art and design center La cuisine (Nègrepelisse), composed in Polsku (Open Source Publishing), 2018.
Marie, typeface including 1 style and 1 weight, 610 glyphs, Opentype format, 2016 – 2017. This typeface was drawn during my studies at ANRT. It was specially designed for the signage and visual identity of the Institut International de la Marionnette.
Poster Marie, 125 × 65 cm, color inkjet print, poster designed for the “Mastering Type” exhibition, organized by Typostammtisch in Berlin, 2017.
Institut international de la marionnette, logotype (not retained) for the Institut International de la Marionnette and the école nationale supérieure des arts de la marionnette, located at Charleville-Mézières (France), 2017.
Bertillon, typeface including 1 style and 1 weight, 217 glyphs, Opentype format, custom typeface (+ pictograms) for the Mortelle Soirée event company, integration of a Latin French / English glyphset, 2017.
Eixem, typeface including 1 style and 1 weight, 57 glyphs, Opentype format, custom typeface for the Eixem company, typeface developed from the existing logo, 2012.
Vendome, typeface including 1 weight and 4 styles, 280 glyphs, Opentype format, technical support to produce a light version of a typeface (integration of a French / English glyphset, development of Opentype functions), for the Musée des tissus, in collaboration with Documents Design, 2019.
Pictogrammes Scalene, typeface including 1 weight and 2 styles, 200 glyphs, Opentype SVG format, technical support to produce a color version of a typeface made up of pictograms, for the Scalene architectural firm, in collaboration with Documents Design, 2020.
Virgil Baqué, business card, color laser printing, composed in Mabry, 2018.
Rozsochác, 12 plates, 90 × 60 cm, monochrome inkjet printing, birch slatted plywood panel, 2014 – 2015. This manner of assembly between two images seeks to renew the current modes of exposure of photography. The sculptural dimension of this display produces a meta-image of the exhibition. Its shape is reminiscent of the famous house of cards of designers Charles and Ray Eames, marketed in 1952.
ADM, 1 page, 14,8 × 21 cm, 29,7 × 21 cm, monochrome laser printing, free color sheet folded in four, composed in Lekton, 2012. Layout of a presentation document for the ADM association of Pau.
La publication comme espace curatorial, 4 pages, 42,7 × 54,6 cm, 85,4 × 54,6 cm, four-color offset printing, loose sheet folded in half, composed in Synthese, 2013. Layout of the reconstitution of a workshop conducted at ESAM in Caen as part of the Salon Light in Paris.
Flexibox, logotype (not retained) for the storage company Flexibox (Tarn), composed in Garaje 53 Unicase, 2018.
Cneai= Maison flottante, 1 page, 10 × 14 cm, 29,7 × 42 cm, color laser printing, loose sheet folded in nine, composed in Times New Roman and Trade Gothic, 2013. Layout of a practical guide for artists in residence on the Maison flottante, cneai=.
Impressions Multiples, 118,9 × 84,1 cm, four-color offset printing, composed in Synthese, 2013.
Paris France Expo 2025, logotype (not retained) for the Paris France Expo 2025 call for projects, composed with several weights of the Antique Olive, 2017.
Plans et surfaces, set of 13 photographs, 60 × 40 cm, color inkjet printing on matt photo paper, 2012 – 2017. This series is fully viewable on 500px.
Un ingénieur typographique, 52 pages, 16 × 24 cm, 32 × 24 cm, monochrome laser printing, stapled brochure in single notebook, composed with a pre-version of the Varia typeface, 2015. Layout and writing of an interview with graphic designer Damien Gautier.
20 doubles pages, 48 pages, 25 exemplaires, 19 × 27,7 cm, 38 × 27,7 cm, color laser printing, stapled brochure in single notebook, composed in Synthese, 2013.
Marie, spécimen, 56 pages, 17,5 × 28 cm, 35 × 28 cm, color laser printing, stapled brochure in single notebook, composed in New Caledonia and Marie, 2017. Specimen of the Marie typeface.
Manipulation typographique, 88 pages, 17,5 × 28 cm, 35 × 28 cm, color laser printing, stapled brochure in single notebook, composed in New Caledonia, 2017. Layout and writing of a text addressing the genesis of the Marie typeface. This book reproduces the research work carried out during the course at ANRT.
Fragments, set of 13 silkscreen prints, 75 × 50 cm, monochrome silkscreen printing, 2012 - 2015. This series can also be viewed on 500px.
Attention c’est comme ça Nancy, 36 pages, 25 exemplaires, 22 × 33 cm, 44 × 33 cm, four-color offset printing, loose sheets folded in half and inserted, composed in Neue Haas Unica, 2017 - 2018. Concept of the layout of a book for the artist Franck Kirch.
De biais, set of 7 photographs, variable format, digital file, 2013 - 2017. This series can also be viewed on 500px.
Inauguration du skatepark de Nancy, 42 × 29,7 cm, color laser print, composed in Times New Roman, 2017.